密码太保
教堂中,受洗的太保杜伯曼嚎啕大哭,太保父亲的友人送了一把枪枝 ,却被教堂外疯狂冲入的黑狗咬住,枪枝飞出掉落在婴儿车上,太保停主哭声,拿枪怏乐的把玩,这是一个枪枝与男人的故事……   巷警察局长气炸了,这已经不是单纯的犯罪,太保(文生卡索饰)抢劫、挟持、杀人的犯罪纪录力简直可以出一张犯罪精选集,但每次的搜捕行动终究还是失败了。于是他们派出集腐败、狠毒、下贱、杀人不贬眼的克里斯汀尼警探出手,他是所有混混的葬礼负责人,一个带着警徽的撒旦,他对折磨有种病态的狂热,他说:野味总是要等到有点腐败的时候再享用才会美味,他像只狗嗅出太保犯罪的足迹循线追查。   超现实的豪华派对在地狱般的酒吧进行,狂欢纵欲下隐藏着杀机,动员所有的人力、枪枝、火炮,然而,太保岂是这麽好搞定!狠毒的折磨、杀人和炮轰在酒吧中早已不足为奇,这是一场男人和男人的战争,火拼之中,早已没有好人与坏人的分野……      本片由卢贝松极力推崇之法国新朝派导演──强酷男,本片乃他的第一部剧情长片。本片导演想打破传统道德的规范,让观众随剧情的挑□与暴力,感到好笑或恐惧;强觉得如果电影本身对观众没有情绪上的影响,观众还能边看边吃爆米花的话,那他就算是失败了。跟卢贝松的影像风格一样,但由于内容赤裸裸地表现出虚无、混乱、无秩序的反社会味道,在法国及日本等地上映时,都造成不小的争议!莫妮卡貝魯奇的太妹形象还真是出位,看惯了西西里的美丽佳人,乍一看吓了一跳。风格是彻底的反叛,说句开玩笑的话,要不人家叫強酷男哪,真是酷!
合法副本
英国作家詹姆斯·米勒(威廉·施梅尔 William Shimell 饰)来到意大利城市托斯卡纳为新作《合法副本》举办讲座。他与读者讨论书中的观点:关于艺术创作真实性的议论是毫无必要的,因为复制品本身即是原作,原作也是由其他作品复制而来。一个做古董买卖的法国女人(朱丽叶· 比诺什 Juliette Binoche 饰)带着11岁的儿子参与了讨论会,想为刚买的书索要签名。中途因为儿子饿了她提前离开,临走时留下了一个电话号码。   米勒和女人在她的古董店再次相遇,他们驱车去郊外看一样东西。她开着车载着米勒无目的游荡,谈论书的主题,参观博物馆,谈论她叛逆的儿子,两人一路上争吵不休。在一个咖啡馆,女老板以为米勒是女人的丈夫,就开始和她围绕米勒讨论起婚姻。于是他们将错就错,米勒开始扮演女人的丈夫,两人约会,去宾馆。但是副本只是复制,而非原作,米勒结束复制身份,独自离开了郊外。   比诺什凭借此片获得第63届戛纳电影节主竞赛单元最佳女演员奖。 《合法副本》是由法国和意大利合拍的剧情片,法国第4电视台出品,由伊朗导演阿巴斯·基亚罗斯塔米执导,朱丽叶·比诺什、威廉姆·西梅尔、让-克劳德·卡瑞尔联合主演。影片于2010年5月19日在法国上映。 《合法副本》的故事发生在意大利北部的斯托卡纳地区,讲述了一名英国作家和一个经营美术馆的法国女子在意大利小村庄邂逅的故事 艾拉(朱丽叶·比诺什饰)是一个生活在托斯卡纳的小城镇的法国人,她经营着一家有着很高的鉴赏品味的画廊,一天,她参加了一个由英国作家詹姆斯·米勒(威廉姆·西梅尔饰)主持的演讲,深刻地探讨了与艺术有关的真实性和不可避免的矫揉造作。艾拉似乎对詹姆斯就文学展现出来的激情特别地着迷,她随后邀请他共游周边的美丽风景。当艾拉和詹姆斯被人错认成了夫妻之后,两个人突然玩兴大起,他们真的假扮成了一对知心的爱人,用了一整个下午去讨论爱情、生活和艺术。他们看起来确实很像是一对共同生活了很长一段时间的老夫老妻,艾拉也发现自己似乎愈发地迷恋上了这个稍微上点年纪的小说家。不过他们毕竟是一时兴起才决定扮成夫妻关系的,如果照着这样发展下去,很有可能会变成一段真正的爱情,因为艾拉和詹姆斯都渐渐地意识到,他们貌似真的是很适合对方。在他们共同挖掘爱、婚姻和艺术的天性与本质的过程中,也在不断地扩充着其中的可能性,原来伪装出来的感情,同样可以像真实存在过一样拥有着深远的意义 [2]。
旋转门
Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist.   Awkward Pierre Blaudell is her biggest fan and eventually marries her.   Shortly after this she bears his son, Pierre, who joins the army.   She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son.   Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist.   She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up.   Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother.   Intrigued, Antoine heads to the Big Apple in hopes of finding her.  This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage.   This film won many awards in Canada and at Cannes in 1988.   François Méthé, who was about 11-years-old, never acted again after this movie.  From IMDb  A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy.   He believes she abandoned him to his wealthy, paternal grandparents.   The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents.   As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
*
*